Most people who have near-death experiences say they have changed their lives in many positive ways. Blackmore notes, "Again and again NDErs describe how different are their priorities, hopes and fears, after their experience" (Blackmore, 1993, p. l25). Most people say their lives change very positively after they have a near-death experience. One woman said, "Before my experience, I guess I was like most people struggling with a better self-image. But I really experienced how precious and how loved I am by God -- the light -- and I am constantly reminded of that in my daily life" (Ring & Valarino, 1998, p. 189). For those who live through near-death experiences, they are meaningful, and many point to a time during the experience when they made the choice to turn back and go on living. In addition, while other memories fade with time, the near-death experience remains vivid and quite real, even after many years have passed. This seems to be another argument that the experiences are real. They are so memorable because they were life changing and unlike any other experience in life.
While many researchers believe in the validity of near-death experiences, many others believe the phenomena can be explained by many other causes. Many people believe these experiences are simply hallucinations brought on by severe stress, as writer Blackmore notes, "At the other extreme are those who dismiss the visions as meaningless hallucinations. Californian psychologist Ron Siegel shows how the descriptions given by dying persons are virtually identical to descriptions given by persons experiencing drug-induced hallucinations" (Blackmore, 1993, p. 3). Other researchers have found they can actually simulate the near-death visions in many people by stimulating a specific area of the brain. Another researcher reports, "What Penfield found was that stimulation of the right temporal lobe in the area of the anterior Sylvian fissure led to typical, reproducible images of near-death states, angels, the Virgin Mary, and other archetypal forms of images with significant physiological and theological aspects attached to them" (Peters, 1994, p. 5). Thus, near-death...
NDEs A near death experience is a collection of cognitive and emotional responses to an encounter with death, whether that encounter is related to a sudden accident or to an illness. The phenomenon has been recorded throughout history, and in various cultures around the world. "Although the term near-death experience…was not coined until 1975, accounts of similar events can be found in the folklore and writings of European, Middle Eastern, African,
Critic Heyen says, "There is no question but that the play is elusive. As Miller himself has said, 'Death of a Salesman is a slippery play to categorize because nobody in it stops to make a speech objectively stating the great issues which I believe it embodies'" (Heyen 47). Therefore, many critics look at the play in different ways, attempting to categorize it and reference it according to their
Human Soul and the Existence of Life After Death The presence of the human soul and the existence of life after death are questions that have plagued people for centuries, perhaps since the beginning of human life. Specifically, fear and concern over death of the physical and metaphysical permeate human life and culture. While there is no concrete proof of the existence of life after death, most people do believe in
Perhaps the most apt descriptor of the life and times of Arthur Koestler is the term extraordinary. Koestler would author scores of works of literature, including one relatively early on in his career which enable him to remain financially secure for the rest of his life (Menand). He was also a Jewish person who lived through both World Wars and endured firsthand persecution during the Spanish Civil War--an event which
Death of Ivan Ilych by Leo Tolstoy. Specifically it will contain an analysis of alienation and the city in the short novella. Most people think Tolstoy is analyzing life and death in this story, but there are references to other aspects of society, as well. Tolstoy's use of symbolism in the story indicates how alienated Ivan really is from the world, and how alienated bourgeois society is from each
All the attention is on the woman, and the background is inconsequential. The lighting is not harsh on Diana, it does not create deep shadows, but it is very soft all around her, almost blurry, but not quite, focusing the entire attention of the photo only on her. The depth of field is primarily her face and torso, the rest of the room is softly out of focus. The
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